The
female dress
costume history images shown below are from the chapter on late C18th English dress 1760-1820,
plus the illustrations appendix and taken from English Costume by Dion Clayton Calthrop. As there are so many illustrations to this particular chapter, I have
divided it into 3 sections. This page - Page 3 - Shows the female
costume plates of women's clothing of
this 60
year Georgian reign. For the Introduction to this book see this
introduction written by Dion Clayton Calthrop. My comments are in italics.
Women's English Costume Drawings GEORGE III
GEORGE THE THIRD

Reigned sixty years: 1760-1820.
Born 1738. Married, 1761, Charlotte Sophia of Mecklenburg-Strelitz.
These colour plates show the last of the pannier
dresses, which gave way in 1794 or 1795 to Empire dresses. After the
French Revolution all dress of both men and women underwent radical
changes.
Georgian Women Hairstyles, High Wigs & Headwear
Calthrop wrote:- The drawings of the women's dresses should also speak for themselves.
You may watch the growth of the wig and the decline of the hoop - I trust
with ease. You may see those towers of hair of which there are so many
stories. Those masses of meal and stuffing, powder and pomatum, the
dressing of which took many hours.

Those piles of decorated, perfumed,
reeking mess, by which a lady could show her fancy for the navy by
balancing a straw ship on her head, for sport by showing a coach, for
gardening by a regular bed of flowers.
Heads which were only dressed,
perhaps, once in three weeks, and were then rescented because it was
necessary.
Monstrous germ-gatherers of horse-hair, hemp-wool, and
powder, laid on in a paste, the cleaning of which is too awful to give
in full detail. 'Three weeks,' says my lady's hairdresser, 'is as long
as a head can go well in the summer without being opened.'
The Ladies Calash

Then we go on to the absurd idea which came over womankind that it was
most becoming to look like a pouter pigeon. She took to a buffon,
a gauze or fine linen kerchief, which stuck out pigeon-like in front,
giving an exaggerated bosom to those who wore it. With this fashion of
1786 came the broad-brimmed hat.
The Mob Cap
Travel a little further and you have the mob cap.

All of a sudden out go hoops, full skirts, high hair, powder, buffons,
broad-brimmed hats, patches, high-heeled shoes, and in come willowy
figures and thin, nearly transparent dresses, turbans, low shoes,
straight fringes.

I am going to give a chapter from a fashion book, to show you how
impossible it is to deal with the vagaries of fashion in the next reign,
and if I chose to occupy the space, I could give a similar chapter to
make the confusion of this reign more confounded.
»
DRAWINGS BY CALTHROP AND THE DIGHTONS,
FATHER AND SON
FASHION DRAWINGS 1, 2, 3

ABOVE - GEORGIAN FASHION DRAWINGS 1,2, 3, - 1770,1772, 1775.
FASHION DRAWINGS 3, 4, 5

ABOVE - WOMEN'S GOWNS DRAWINGS 3,4,5
FASHION DRAWINGS 7, 8, 9

ABOVE - GEORGIAN FASHION DRAWINGS 7, 8, 9
FASHION DRAWINGS 10, 11, 12

ABOVE - WOMEN'S GOWNS DRAWINGS 10, 11, 12
FASHION DRAWINGS 13, 14, 15

ABOVE - GEORGIAN FASHION DRAWINGS 13, 14, 15
Ω
FASHION DRAWINGS 16, 17, 18

ABOVE - WOMEN'S GOWNS DRAWINGS 16, 17, 18
FASHION DRAWINGS 19, 20, 21

ABOVE - GEORGIAN FASHION DRAWINGS 19, 20, 21
FASHION DRAWINGS 22, 23, 24

ABOVE - WOMEN'S GOWNS DRAWINGS 22, 23, 24
You have been reading English Costume History at
www.fashion-era.com © from the chapter
showing images of women's fashions during the time of Hanoverian King George III 1760-1820, from Dion Clayton Calthrop's
book English Costume.
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contribute to lifestyle trends, which in turn influence the clothes we wear. These are the changes that make any era of society special in relation to the study of the costume of a period.
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