The 60s Mini Skirt - 1960s Fashion History
Talent was the prerequisite to success in the 1960s. For the
first time ever in any fashion era, the young became the leaders of fashion. They
led with new and radically innovative fashion styles, with little girl woman
androgynous looks for women that swept away the sophisticated sweater girls of
the early sixties. The picture of Twiggy in the header defines her as the
epitome of a sixties baby doll woman.
In the 21st century
it's easy to associate all 1960s fashion with short skirts, but the
short skirt was not really worn by many until 1966 and not nationwide until 1967. Just as in the 1920s for
half a decade clothes still showed signs of belonging to the late fifties. The fore
runner of the mini dress the straight shift, which had developed from the
sack dress, was still well below the knee.
In the early sixties,
pleated skirts set on a hip yoke basque were worn with short sleeved over blouses which
were cut not unlike the shell tops of today. Straight skirts had front and back inverted
pleats called kick pleats and were ideal for doing the twist dance craze as they allowed the knee
to move freely. Straight sweater dresses in lambswool or the synthetic acrylic variety called Orlon were worn belted with waists nipped
in became fashionable.
Pencil skirts were still worn with sweaters or even back to
front cardigans that had been pressed super flat. Before the days of tumble
driers many women lay their washed rung out knitwear in paper tissue and then
brown paper. They put it to dry under a carpet for two days. When it was removed
from the tissue, the footsteps that had pounded over the knit gave it a flat dry
cleaned as new appearance. Laundering of delicates could still be a problem, but
everything changed when mass produced synthetic garments arrived.
By 1966 Mary Quant was
producing short waist skimming mini dresses and skirts that were set 6 or 7
inches above the knee. It would not be right to suggest she invented the fashion mini skirt.
In 1965 she took the idea from the 1964 designs by Courrèges and liking the
shorter styles she made them even shorter for her boutique Bazaar. She is rightly credited with
making popular a
style that had not taken off when it made its earlier debut.
Quant found London girls seeking newness only too willing to
try her new daring short mini skirt. The fashion trend took off because it was so
different and to wear it well you had to be youthful to get away with an outfit
that was so controversial, particularly among adults. The Quant style was soon
known as the Chelsea Look. You are reading an original 'The 1960s Mini
Skirt' fashion article by Pauline Weston Thomas at
Right - The length of a typical late sixties short mini skirt.
The shapes Quant designed were simple, neat, clean cut and
young. They were made from cotton gabardines and adventurous materials like PVC
used in rain Macs. They almost always featured little white girly collars.
Left - The five point hairstyle
that says 1960s.
Mary Quant also sported
a sharply cut geometric hairstyle. One of the most famous and favoured cuts of
the era was the 5 point cut by Vidal Sassoon. The hairstyles and the short
mine skirts and min dresses made the mid and late sixties fashion look.
Right - Provincial more bouffant variations of the asymmetric cut
fringe circa 1968.
John Bates was one of the most influential British designers of the 1960s.
Ernestine Carter the fashion historian thought him the unsung inventor of the
mini skirt. His mini dresses were the shortest, had the barest midriffs and the
models wore the least undergarments - he preferred a bra-less silhouette.
In 1959 he had set up the Jean Varon label and later a label under his own name.
His influence in the sixties was such that he dressed Diana Rigg in The Avengers
series. Other celebrities of the day such as Twiggy, Sandie Shaw, Jean
Shrimpton and Dusty Springfield all wore his fashion designs. But so did the
masses as he also designed for important key department stores in the UK.
John Bates has never been given enough credit for his role in the rise of the
mini skirt. The facts are that John Bates was making shorter skirts long before
others. But Mary Quant was the facilitator of this novel idea who was really
noticed. She got the mini skirt out among trendy young girls about town and it
soon became copied and popular everywhere.
Quant was copied everywhere and another famous name of the sixties was
Barbara Hulanicki of Biba. Biba of course was a
sixties hit with girls who loved fashionable and funky looks at a value price.
The London TV Saturday
night programme 'That Was The Week That Was', watched by half the UK nation had
some time earlier shown a model wearing a dress with a belt that enabled the
model to lift the dress up showing the possible various shorter lengths that
designers were forecasting hemlines would rise to in the next six months. The audience laughed and gasped
and viewers across Britain tittered, but within less than a year the shorter
length was firmly established with under twenties and soon after their mothers too began wearing a short mini skirt.
Typical of the era the opening lines of the show were 'that
was the week that was, it's over let it go...'
It was typical of the 1960's attitude of let's get on with the
future, making it a very fast moving decade in fashion, lifestyles, innovations
and morals. The fashion mini skirt became one of the icons that symbolized this era.
You are reading an original 'The 1960s Mini Skirt' fashion article by Pauline
Weston Thomas at
What made the mini
really acceptable was the introduction of pantyhose known mostly today as tights. It
was hard to wear a mini dress with stockings and feel confident, but with tights
there was protection from the elements and no unsightly glimpse of stocking
tops. Stockings died in the mid 1960s and were only revived as leg wear
in the 1990s or else kept for the bedroom.
When tights were
first introduced in
the 1960s it liberated women from girdles, roll-ons and
suspender belts. It's difficult to know which came
first the skirt or the tights, but the introduction of
seamless stockings had
started the tights revolution. What is certain it is unlikely the
one could have existed without the other as no groomed young lady ever went out
bare legged then.
A pair of Wolsey tights cost about £1 in 1965 and with
careful daily washing they could be made to last a month. Marks
and Spencer was soon churning out lower cost versions. Obviously planned
obsolescence has been introduced since then for all brands, as most of us now find it
difficult to make them last for more than a day or two's wear.
Tights in the late 60s were often patterned with arrangements
of diamonds or other motifs and a favourite colour of the era was a golden brown
called American Tan. Fishnet tights were also popular briefly. Lurex glitter tights in gold or silver were a
hit for the Christmas period.
Lower kitten heels
were a dainty alternative to stilettos Pointed toes gave way
to chisel shaped toes in 1961 and to an almond toe in 1963.
also became popular with very short dresses in 1965 and eventually they rose up
the leg and reached the knee. A cult for Dr. Scholl clog sandals worn in
offices and outdoors was all the rage in the mid to late sixties in the same way
that Birkenstocks were popular in the 1990s.
Knitted twin sets were
still worn, but often the items were worn as separates. Square, V or round neck
pinafore dresses in plain or tartan wool fabrics were teamed with polo neck jumpers or tie neck blouses. Other
combinations were burgundy plum pinafores worn with white or mustard blouses.
variation of the button through version of the pinafore was called a coat dress
and it was worn with or without a skinny rib fitting sweater. It was often worn
with a half
belt at the back waist.
All clothes were
narrow shouldered and cut in at the armholes to properly reveal the arm and its
shoulder joint. Even short sleeve versions were set well into the armscye.
Left - Dresses of 1967 with cutaway armholes
Baby doll dresses of
1966 were full and flared into tent shapes mostly with cutaway
armholes or/and a halter neck. They were made of transparent tulles, lace or
chiffons plain or tree bark mounted over a matching lining or could be made of crinkled cotton crepe
Lace of all types from Broderie Anglaise to guipure to crochet
effects over coloured linings or flesh toned linings were often seen.
Black polo neck sweaters
made popular by the Beatles cover album were often worn under check pinafore
dresses. The dresses were usually solid colours of red or purple wool material. Checks of
black and white such as dog or hound's-tooth or Prince of Wales check. Black and
white was a sixties combination and was used in op art dresses and block pieced
dresses worked in Mondrian style. Black patent accessories complimented all
One of the easiest
ways to get the sixties look was to wear short little coloured gloves with a
hole cut out to reveal the back of the hand. The gloves were similar in
appearance to golf gloves of today. With the gloves coloured plastic beaded
raffia knit bags and plastic coloured bangles and chandelier earrings made of
large sequin discs were all high fashion accessories that lasted about 5 years.
All of these trend setting outfits
and accessories could easily be obtained
from Wallis, Richards, Etams, Biba or Chelsea Girl shops. Marks
and Spencer did their bit and brought a shorter young junior range to teen
girls in an effort to cut the cost. The range did not have the added on adult
purchase tax that clothes had in pre VAT days. You are reading
an original 'The 1960s Mini Skirt' fashion article by Pauline Weston Thomas at
Outdoor looks were
achieved by using fabrics like wool, Terylene or cotton gabardine, corduroy,
leather, suede or mock suede fabrics made up as car coats. Also cheaper
alternatives such as padded nylon diamond quilted anoraks or cotton anoraks with
toggles and Austrian peasant embroidered braids were quite common.
The mini dominated
fashion and women sometimes needed a practical alternative smarter than jeans
that could be worn day or evening. Quite formal trousers worn with a tunic,
shirt, skinny rib or matching suit jacket were acceptable in certain work
situations and liked as alternative evening wear when made from slinkier
Trousers were made from Courtelle jersey, cotton velvet, silky or
bulked textured Crimplenes, lace with satin, and Pucci style printed Tricel. Hipster versions were popular and very flared versions developed by the late
sixties, with every style ultimately translating into denim jeans. Its worth
noting that the hipsters of the 60s were not quite as low cut along the pelvic
line as low rise jeans of 2005.
Many things influenced fashion in the 1960s.
Social mobility, daring fashion photography, easier travel abroad, the Vietnam war,
new music of the Beatles and their much copied hairstyles, retro military and
ethnic clothes, musicals, pop art
and film all played a part. Right - Jackie Kennedy in the early 1960s wearing
her trademark pill box hat
and three quarter sleeves.
Courrèges clean cut sharp 1960's design.
already looked at Mary Quant and the role of pantyhose, but other major 60's influences
included the trend setting globally photographed Jackie Kennedy.
In addition Emilio Pucci's
exotic psychedelic beautiful fabric prints, Courrèges's space age sculptured
designs were as important as the fresh approach to fashion as that of Yves St.
Laurent. The then youthful designer Yves St.Laurent made a clean forward
looking fashion design image with his Mondrian inspired dress.
Yves St. Laurent's much copied Mondrian inspired shift dress.
See and buy great 1960s photographs at
By the 1960s the Twist, the Shake and the
Locomotion ousted the paired dancing couples of earlier generations. Only for the last few
dances of the evening was the Smooch allowed for couples to romantically hold each
other as they made their play to walk a partner home. Some stalwarts continued to rock and
jive and to wear
Teddy Boy gear.
Many of the fashions of the 1960s existed because of the fabrics. They
introduced new fabric properties and when synthetics were mixed with natural
fibres there was improved performance in wear. Some had been invented
years earlier in the 1930s and 1940s, but it was only in the 60s that huge
production plants for synthetic fibres sprang up globally.
In the UK in the 1960s
Marks and Spencer was instrumental in bringing Elastomerics from America to
their range of bras, corsetry and bathing wear. Other manufacturers and fashion
retailers soon followed.
Meanwhile as man made fibres gained a hold, the Yorkshire woollen industry
began to contract at an alarming rate. Job losses were inevitable and yet
so often the newer man made yarn companies settled in areas where there was
already a body of knowledge and a heritage of spinning, knitting or weaving.
Du Pont and ICI were the giants of synthetic manufacture
producing a wide range of fabrics under trade names relating to Polyamide,
Polyesters, Polyurethanes, Polyolefins, and Polyacrylonitriles the
polyvinyl derivative. All the fibre bases could be used as bulked or fine yarns
dependant on fibre extrusion method and final finishing. The name often related
to the country or plant where the fibre was produced for example Enkalon was
Irish made nylon whereas Crylor, an acrylic yarn was made in France.
Polyamide is nylon. It came under trade names such as Nylon 6, Celon, Enkalon, Perlon, Bri-Nylon, Cantrece and others. Polyester was known variously as Terylene, Dacron, Terlenka,
Trevira, Kodel, Diolen, Tergal and Lavsan. Polyurethane is the generic name of the elastomeric family
of stretch fibres like Spandex, Lycra and Spanzelle.
All these man made synthetic fibres began to be used in bras, underwear,
swimwear and sportswear. Lycra eventually found its way into fabric mixes
to aid crease recovery, wearing ease, fit and stretch. Polyvinyl derivatives produce polyacrylonitriles and this
includes Orlon, Acrylic, Crylor, Courtelle and Creslan. Modified acrylics such
as Dynel and Teklan were first used to make fake furs and fake hair for wigs in
the sixties. You are reading an original 'The 1960s Mini Skirt'
fashion article by Pauline Weston Thomas at
about 1950s girdles, petticoats, bras and stockings in
the 1950s section.
Retro 1960s, 1970s, 1980s talk format and music at
In 1964 Barbara Hulanicki founded Biba with her husband. The team developed a
small fashion shop in Abingdon Road, Kensington. The original Biba concept was
the retail forerunner of low cost value fast fashion today and the type of
pieces found in Primark or George at Asda. Biba sold low priced versions of high
fashion items particularly the Quant mini skirt. Biba and the Biba style of make
up application was also a huge sixties look. The Biba Art Deco store of the 70s
was the place to be seen hanging out.
After expanding too fast, too soon, there were financial problems at Biba and
Dorothy Perkins took a majority stake in the business in 1969. After some
corporate machinations Barbara Hulanicki left Biba and the trademark name in
1975. Later the Biba business was sold on again. Meanwhile in the following
forty years Barbara
Hulanicki has had a successful career in both interiors and fashion and
continues to design from
As for Biba - in the late C20th decades, other licensees sold
products under the Biba name. The label has a chequered past and after a much
heralded fashion revival again in 2006, the trademark fell at the post again and
the owner went into administration in the 2008 recession.
In 2008 the UK department store House of Fraser acquired the Biba trademark
name. In October 2010 after a very successful launch and sell out of some Biba
pieces, House of Fraser declared Biba their top selling fashion line. You are
reading an original 'The 1960s Mini Skirt' fashion article by Pauline Weston
Read more about 1950s girdles, petticoats, bras and
stockings in the 1950s section.
See and buy great 1960s photographs at
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